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My interview with Robert Bathurst took place by Skype. That is, what did you think a multimedia approach could add to the original works by Christopher? Robert Bathurst: Any presentation has to put the writing first, and no amount of production should swamp that.
Often theatre gets in the way of the words. Flash, startling and exciting imagery in theatre very often knocks out the language, and that should never be the case. But what you also need in theatre is to give people treats, to make people glad they came to see a work as opposed to staying home and reading it. I felt that these two pieces, A Scattering and The Song of Lunch , would work well as a double bill because they are both, to my mind, very dramatic.
Tom perfectly captures the emotional complexity of the piece. It is only occasionally underscored and there are longer pieces between the main sections. The music in combination with these interludes adds to the meditation on grief that runs through the work.
We will also have a set which looks like strewn paper, as well as a screen that looks like an irregularly shaped book. So A Scattering will have not only a visual aspect but also a sound and music aspect. End of a relationship. Because the Orpheus theme runs through it, Charles the artist is looking at using silhouettes in the style of Greek pots.