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To browse Academia. Virginie Magnat. Giorgio Adamo. For a long time the interest of ethnomusicologists in multipart singing has been focused mainly upon aspects of musical structure. But a performance of multipart vocal music, as any other performance where more than one individual is involved, is a special case of interpersonal relationships.
The study of a female processional repertoire for the Holy Week in a Calabrian village, based on field research, music analysis and video documentation, shows the complex interaction between social roles, group dynamics and sound structure. Kristin Kuutma. In the following an attempt is made to describe some alterations in singing traditions from the aspect of sociocultural context and viewed from the Estonian perspective.
As particular occasions, where singing traditions in relation to cultural identity are studied, two types of festivals have been chosen: a large national festival and a small community festival. Festival is observed here as cultural performance, charac terized by periodicity and recurrence, by impersonal and predictable movement of time Stoeltje A festival provides an opportunity to study the external ori entation of customs, folkloristic phenomena, transformations in the sociocultural con text, organized performance and the functional context of singing.
Eckehard Pistrick. Haris Sarris. Proceedings of the International Scientific Conference. Anu Sepp. Rytis Ambrazevicius. Attitudes of Eastern European ethnomusicologists-instructors of singing are discussed. The overview is a compilation of the data gathered at formal and informal interviews with Polish, Russian, Ukrainian, and Serb respondents. The study reveals that success of the adequate vocal training depends on three succeeding stages of the process: field work, desk work, and practical training itself.
